Murray
Pomerance | Introduction: Gender in Film at the End
of the Twentieth Century |
Steven
Woodward | No Safe Place: Gender and Space in Polanski's
Recent Films |
Hamid Naficy | Veiled Voice and Vision
in Iranian Cinema:
The Evolution of Rakhshan Banietemad's
Films |
Lenuta Giukin | Boy-Girls: Gender, Body,
and Popular Culture
in Hong Kong Action
Movies |
Gina Marchetti | The Gender of GenerAsian
X in Clara Law's Migration Trilogy |
Rebecca
Bell-Metereau | Eating and Drinking, Men and
Women |
Murray Forman | Boys Will Be Boys: David
Cronenberg's Crash Course in Heavy
Mettle |
Kevin S. Sandler | The Wabbit
We-negotiates: Looney Tunes in a Conglomerate
Age |
Garth Jowett | "Real Men Don't Sing and
Dance": Growing Up
Male with the Hollywood Musical--A
Memoir |
Gaylyn Studlar | Cruise-ing into the
Millennium: Performative Masculinity,
Stardom, and the All-American
Boy's Body |
Barry Keith Grant | Strange Days: Gender
and Ideology in New Genre Films |
Frances
Gateward | She-Devils on Wheels: Women, Motorcycles, and
Movies |
John Sakeris | Howard's First Kiss:
Sissies and Gender Police
in the "New" Old Hollywood
|
Krin Gabbard | Hipsters and Nerds:
Black Jazz Artists and Their White Shadows |
Janice R.
Welsch | "Let's Keep Goin'!": On the Road with Louise
and Thelma |
David Desser | Jews in Space: The
"Ordeal of Masculinity"
in Contemporary American Film and
Television |
Michael DeAngelis | Gender and Other
Transcendences: William Blake as Johnny
Depp |
Murray Pomerance | Marion Crane Dies
Twice |
