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MURRAY POMERANCE |
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SERIES EDITORSHIPS Editor, "Techniques of the Moving Image" series Editor, "Horizons of Cinema" series
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EDITORIAL and ADVISORY BOARDS Associate: Cinematic Affect Network Editorial Board: In Short: Journal of Small Screen Studies
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PROJECTS IN PREPARATION
"Robert Altman's Hollywood," for Adrian Danks, ed., A Robert Altman Compendium, Malden Mass.: Wiley-Blackwell. "On The Asphalt Jungle," for Douglas McFarland and Wes King, eds., untitled volume on John Huston. "The Bromance Stunt in 'House,'" in Michael DeAngelis, ed., Rad Bromance: Male Homosociality in Film and Television, forthcoming. “Alfred Hitchcock as Moralist," in R. Barton Palmer and Steven Sanders, Hitchcock and Morals, forthcoming. "A Teacup and a Kiss: Staging Action in Johnny Guitar," in Steven Rybin and Will Scheibel, eds., untitled volume on Nicholas Ray. "Young Body on the Beach," for Sean Redmond, ed., special issue of Continuum, forthcoming. "On Special Effects," Cinema and New Media in Europe, ed. Murat Akser and Deniz Bayrakdar., Cambridge Scholars Press. |
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PROJECTS FORTHCOMING The Eyes Have It: Cinema and the Reality Effect, New Brunswick N.J.: Rutgers University Press, forthcoming 2013. Hitchcock's America, Cambridge: Polity Press, forthcoming 2013. Ed., The Last Laugh: Strange Humors of Cinema, Detroit: Wayne State University Press. "The Gangster Giggles," in Murray Pomerance, ed., The Last Laugh: Strange Humors of Cinema, Detroit: Wayne State University Press. "Hitchcock's Canine Uncanny," forthcoming in Adrienne L. McLean, ed.,Cinematic Canines: Dogs and Their Work in the Fiction Film, Rutgers University Press. "Passion's Ghost," in Tom Conley and T. Jefferson Kline, eds., A Godard Compendium, Malden Mass.: Wiley-Blackwell, forthcoming. "On film noir and the city," in A Companion to Film Noir, ed. Andrew Spicer and Helen Hanson, New York: Wiley Blackwell, forthcoming. "Interiorization in Public Enemies," R. Barton Palmer and Steven Sanders, eds., Michael Mann and Philosophy, forthcoming, University Press of Kentucky. "Digesting Steven Spielberg," in Peri Bradley, ed., Food for Thought: The Culture Significance of Food in Film and TV, London: Palgrave Macmillan. "The Wedding That Never Was," Quarterly Review of Film and Video 31: 2. Ed., with John Sakeris, Popping Culture, 7th edition, September 2012 "Who Was Buddy Love?: Screen Performance and Jewish Experience," in Daniel Bernardi, Murray Pomerance, and Hava Tirosh-Samuelson, eds., Stars of David: The Jewish Experience, Detroit: Wayne State University Press.orthcoming, Senses of Cinema, March 2 "Blood from a Stone: On Abel Ferrara's Go Go Tales," forthcoming. "The Villain We Love: Notes on the Dramaturgy of Screen Evil," in B is for Bad Cinema, ed. Constantine Verevis, forthcoming. "Performed Performance and The Man Who Knew Too Much," in Theorizing Screen Acting, ed. Aaron Taylor, forthcoming, Routledge, 2012, 62-75.
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Ed., Shining in Shadows: Movie Stars of the 2000s, New Brunswick N.J.: Rutgers University Press, 2011. CONTENTS Ed., with R. Barton Palmer, A Little Solitaire: John Frankenheimer and American Film, New Brunswick NJ: Rutgers University Press, 2011. CONTENTS Michelangelo Red Antonioni Blue: Eight Reflections on Cinema, Berkeley: University of California Press, 2011. CONTENTS Edith Valmaine, Ottawa: Oberon Press, 2010. Popping Culture, Sixth and expanded edition, edited (with John Sakeris), Boston: Pearson Education, 2010. CONTENTS Ici Commence Johnny Depp, Paris: Éditions Capricci, 2010. Popping Culture 5th edn., edited (with John Sakeris), Boston: Pearson Education, 2008. CONTENTS Ed., A Family Affair, London: Wallflower Press, 2008. CONTENTS The Horse Who Drank the Sky: Film Experience Beyond Narrative and Theory, New Brunswick NJ: Rutgers University Press, 2008. CONTENTS City That Never Sleeps: New York and the Filmic Imagination, ed., New Brunswick NJ: Rutgers University Press, 2007. Johnny Depp: Betrachtungen zu einem Schauspieler, Trans. Andrea Rennschmid, Landshut: Reinhard Weber Verlag, 2006. From Hobbits to Hollywood: Essays on Peter Jackson's Lord of the Rings, ed., with Ernest Mathijs, Amsterdam and New York: Editions Rodopi, 2006. Popping Culture, 4th ed., ed. with John Sakeris, Boston: Pearson Education, 2007. Cinema and Modernity, ed., New Brunswick NJ: Rutgers University Press, 2006. Savage Time, Ottawa: Oberon Press, 2005. American Cinema of the 1950s: Themes and Variations, ed., New Brunswick NJ: Rutgers University Press, 2005. Popping Culture, 3rd ed., ed., with John Sakeris, Boston: Pearson Education, 2005. Johnny Depp Starts Here, New Brunswick NJ: Rutgers University Press, 2005. Where the Boys Are: Cinemas of Masculinity and Youth, ed., with Frances Gateward, Detroit: Wayne State University Press, 2005. Popping Culture, 2nd ed., ed., with John Sakeris, Boston: Pearson Education, 2004. An Eye for Hitchcock, New Brunswick NJ: Rutgers University Press, 2004. Ed. BAD: Infamy, Darkness, Evil, and Slime on Screen, ed., Albany: State University of New York Press. Popping Culture, ed., with John Sakeris, Boston: Pearson Education, 2003. Enfant Terrible!: Jerry Lewis in American Film, ed., New York: New York University Press, 2002. Closely Watched Brains, 2nd edn., ed., with John Sakeris, Boston: Pearson Education, 2003. Sugar, Spice, and Everything Nice: Cinemas of Girlhood, ed., with Frances Gateward, Detroit: Wayne State University Press, 2002. Ladies and Gentlemen, Boys and Girls: Gender in Film at the End of the Twentieth Century, ed., Albany: State University of New York Press, 2001. Closely Watched Brains, ed., with John Sakeris, Boston: Pearson Education, 2001. Bang Bang, Shoot Shoot! Essays on Guns and Popular Culture, 2nd ed., ed., with John Sakeris, Needham Heights: Pearson Education, 2000. Bang Bang, Shoot Shoot! Essays on Guns and Popular Culture, ed., with John Sakeris,Needham Heights: Pearson Education, 1999. Magia d'Amore. Los Angeles: Sun & Moon Press, 1999. Pictures of a Generation on Hold: Selected Papers, ed., with John Sakeris, Toronto: Media Studies Working Group, 1996. Ludwig Bemelmans: A Bibliography. New York: Heineman, 1993. The Complete Partitas. Toronto: Les Trois O, 1992-1995. In 14 volumes. Ed., A Random Soup: Recipes from Friends of The Mabin School, Toronto: Gabbro Press, 1992. Amagansett: The Hidden Waterfall. Toronto: Coach House/Fourpart, 1971. |
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SELECTED PAPERS, CHAPTERS, ARTICLES, AND STORIES PUBLISHED "Leonardo DiCaprio: King of the 'World,'" in Anna Everett, ed., Pretty People: Movie Stars of the 1990s, New Brunswick NJ: Rutgers University Press, 2012, 103-22. "A Sensational Face," La Furia Umana (April 2012), online at http://www.lafuriaumana.it/index.php/rapporto-confidenziale-joomla/492-a-sensational-face "Boy Meets Girl: Architectonics of a Hitchcockian Shot," Senses of Cinema 62, March 2012, online at http://www.sensesofcinema.com/2012/feature-articles/boy-meets-girl-architectonics-of-a-hitchcockian-shot/ "Antoine Doinel, Antoine Doinel, Antoine Doinel: François Truffaut's 'Trilogy,'" in Film Trilogies: New Critical Approaches, ed. Claire Perkins and Constantine Verevis, New York: Palgrave Macmillan, 2012, 226-42. Review of Jeffrey Spivak's Buzz: The Life and Art of Busby Berkeley, Quarterly Review of Film and Video 19: 2 (2012), 177-81. "The Wages of Fear,"Senses of Cinema 60, November 2011. Online at http://www.sensesofcinema.com/2011/cteq/the-wages-of-fear-2/ "'Introduction: Stardom in the 2000s," in Murray Pomerance, ed., Shining Shadows: Movie Stars of the 2000s, New Brunswick, N.J.: Rutgers University Press, 2011, 1-11. "In the Wings," in Murray Pomerance, ed., Shining Shadows: Movie Stars of the 2000s, New Brunswick, N.J.: Rutgers University Press, 2011, 238-42. "'He loved what he did so much!': An Interview with Evans (Evans) Frankenheimer," Film International 9: 3 (Summer 2011), 35-50. "Introduction: Why Don't You Pass the Time by Playing a Little Solitaire," in R. Barton Palmer and Murray Pomerance, eds., A Little Solitaire: John Frankenheimer and American Film, New Brunswick NJ: Rutgers University Press, 2011, 1-9. "Ashes, Ashes: Structuring Emptiness in All Fall Down," in R. Barton Palmer and Murray Pomerance, eds., A Little Solitaire: John Frankenheimer and American Film, New Brunswick NJ: Rutgers University Press, 2011, 184-96. “A Parallax Case: Gender Performance in Wings of the Morning," Flow 13: 13, online at http://flowtv.org/2011/05/a-parallax-case/ “'Distance Does Not Exist': Méliès, le Cinéma, and the Moon," in Matthew Solomon, ed., Fantastic Voyages of the Cinematic Imagination: Georges Méliès's Trip to the Moon," Albany: State University of New York Press, 2011, 81-96. "Some Hitchcockian Shots," in Tom Leitch and Leland Poague, eds., A Companion to Alfred Hitchcock, London and New York: Wiley, 2011, 237-52. "Bagdad Bad," in Cynthia Fuchs and Joe Lockard, eds., Iraq War Cultures, New York: Peter Lang, 2011, 39-69. "'Who Lives?': Notes on a Cinematic Moment, Flow 13: 8, online at http://flowtv.org/2011/02/who-lives/ . "Donne-moi du raisin," Capricci 2011, Paris: Éditions Capricci, 2011, 58-62. "Amplified Discourse and Desire in sex, lies, and videotape," in R. Barton Palmer and Steven M. Sanders, eds., The Philosophy of Steven Soderbergh, Lexington: University Press of Kentucky, 2011, 51-66. "A Stolen Life," Quarterly Review of Film and Video 27:5 (December 2010), 422-26. "Uncle Boonmee, Who Can Recall His Past Lives and What We Know," Flow (University of Texas) 13: 3 (November 2010), online at http://flowtv.org/2010/11/uncle-boonmee/ "What Ever Is Happening to M. Night Shyamalan: Meditation on an 'Infection' Film," in Jeffrey Weinstock, ed., Critical Approaches to the Films of M. Night Shyamalan: Spoiler Warnings, New York: Palgrave Macmillan, 2010, 203-18. "James Dean and James Stewart: The Darkness Within," in R. Barton Palmer, ed., Larger Than Life: Movie Stars of the 1950s, New Brunswick NJ: Rutgers University Press, 2010, 61-85. Review of Michelangelo Antonioni Interviews, ed. Bert Cardullo, Quarterly Review of Film and Video 27: 3 (2010), 236-41. Review of Auteurs and Authorship: A Reader, ed. Barry Keith Grant, Quarterly Review of Film and Video 27: 3 (2010), 247-53. "What Ever Is Happening to M. Night Shyamalan: Meditation on an 'Infection' Film," Film International 8: 1 (2010), 34-46. "Notes on Some Limits of Technicolor: The Antonioni Case,"Senses of Cinema 53, Winter 2010, online at www.sensesofcinema.com. "Baghdad Bad," Film International 7: 5 (2009), 27-49.Lester D "The Spies Who Came In from the Cold: Framing Alfred Hitchcock's Torn Curtain," Cinephile 5: 2 (Summer 2009), 30-34. "Down and Away to Botany Bay," Senses of Cinema 52 (Fall 2009), online at www.sensesofcinema.com. "A Culture for Man-Boys," THYMOS: Journal of Boyhood Studies 3: 2 (Fall 2009), 144-46. "Light, Looks, and The Lodger," Quarterly Review of Film and Video 26: 5, 425-433. Online version at http://imagearts.ryerson.ca/newparagone/symposium.html#Pomerance "Review of European Cinema Face to Face with Hollywood by Thomas Elsaesser," Quarterly Review of Film and Video 26: 1 (2009), 65-69. "Review of Guiltless Pleasures: A David Sterritt Reader by David Sterritt," Quarterly Review of Film and Video 26: 1(2009), 69-74. "Style, Calculation, and Counterpoint in The Clock," in Joe McElhaney, ed., Vincente Minnelli: The Art of Entertainment, Detroit: Wayne State University Press, 2009, 341-58. "Tinker Bell, the Fairy of Electricity," in Lester D. Friedman and Allison Kavey, eds., Second Star to the Right: Peter Pan as Cultural Icon and Communal Myth, New Brunswick NJ: Rutgers University Press, 2009, 13-49. "In the Dictionary," Celery Magazine (Spring-Summer 2008), online at www.celerymagazine.com/latest/17.html. "Introduction: A Family Affair," in Murray Pomerance, ed., A Family Affair, forthcoming, London: Wallflower Press, 2008, 1-10. "The Look of Love: Cinema and the Dramaturgy of Kinship," in Murray Pomerance, ed., A Family Affair, London: Wallflower Press, 2008, 293-303. "Boy Meets Girl: Architectonics of a Hitchcockian Shot," In Short: Journal of Small Screen Studies 1: 1 (June 2008), online at http://com.miami.edu/in-short/. "Digesting Steven Spielberg," Film International 32 Vol. 6 No. 2, April 2008, 24-37. "1967: Movies and the Specter of Rebellion," in Barry Keith Grant, ed., American Cinema of the 1960s: Themes and Variations, forthcoming, New Brunswick NJ: Rutgers University Press, 2008, 172192. "A Modern Gesture: Perpetual Motion and Screen Suspense," Film International 5: 5, Issue 29 (Fall 2007), 42-53. Entries on “Michelangelo Antonioni,” “Youssef Chahine,” “Vittorio De Sica,” “Alfred Hitchcock,” “Ron Howard,” “Claude Lelouch,” “Jerry Lewis,” “Anthony Minghella,” “Mike Nichols,” “Idrissa Ouedraogo,” “François Ozon,” “Nicholas Ray,” “Steven Spielberg,” “Jacques Tati,” “François Truffaut,” and “Wim Wenders,” in Steven Jay Schneider, ed., 501 Film Directors, London: Quintet, 2007. "Marion Crane Dies Twice," in Richard J. Hand and Jay McRoy, eds., Monstrous Adaptations: Generic and Thematic Mutations in Horror Film, Manchester: Manchester University Press, 2007, 140-54. Entries on Alien, Annie Hall, Arizona Dream, The Band Wagon, The Big Red One, Bitter Victory, Blowup, The Dreamers, The Greatest Show on Earth, Interiors, King Kong (1933), The Last Laugh, M, The Man Who Knew Too Much (1956), Merry Christmas, Mr. Lawrence, Modern Times, North by Northwest, Play Time, The Searchers, Sunset Blvd., The Talented Mr. Ripley, and Written on the Wind, in Chris Fujiwara, ed., The Little Black Book: Movies, London: Cassell Illustrated, 2007. "Prelude: To Wake Up in the City That Never Sleeps," in Murray Pomerance, ed., City That Never Sleeps: New York and the Filmic Imagination, New Brunswick NJ: Rutgers University Press, 2007, 3-17. "A Clean, Well-Lighted Place: Hitchcock's New York," in Murray Pomerance, ed., City That Never Sleeps: New York and the Filmic Imagination, New Brunswick NJ: Rutgers University Press, 2007, 103-17. "Safe in Lotosland," in James Morrison, ed., All That Heaven Allows: The Cinema of Todd Haynes, London: Wallflower Press, 2007, 79-87. Entries on "Animal Actors," "Cinematography," "Color," "Credits," "Gregg Toland," "Nestor Almendros," and "Saul Bass" in Barry Keith Grant, ed., The Schirmer Encyclopedia of Film, Detroit: Thomson Gale, 2006, I: 79-84; I: 285-297; I: 333-341; I: 383-389; I: 288; I: 291; I: 384. "Pachyderm's Progress," in Timothy Shary and Alexandra Seibel, eds., Youth Culture in Global Cinema, Austin: University of Texas Press, 2007, 207-21. "Review of Hitchcock's Cryptonymies by Tom Cohen," Screening the Past, online at http://www.latrobe.edu.au/screeningthepast/20/hitchcocks-cryptonymies.html "Introduction: There and Back Again: An Editors' Tale" with Ernest Mathijs, in Ernest Mathijs and Murray Pomerance, eds., From Hobbits to Hollywood: Essays on Peter Jackson's Lord of the Rings, Amsterdam and New York: Editions Rodopi, 2006, 1-16. "The Laddy Vanishes," in Ernest Mathijs and Murray Pomerance, eds., From Hobbits to Hollywood: Essays on Peter Jackson's Lord of the Rings, Amsterdam and New York: Editions Rodopi, 2006, 351-72. "Introduction," in Murray Pomerance, ed., Cinema and Modernity, New Brunswick NJ: Rutgers University Press, 2006, 3-15. xxx "Nothing Sacred: Modernity and Performance in Catch Me If You Can," in Murray Pomerance, ed., Cinema and Modernity, New Brunswick NJ: Rutgers University Press, 2006, 211-31. "Hitchcock Quotes,"Quarterly Review of Film and Video 23: 2 (2006), 139-54. "Introduction: Movies and the 1950s," in Murray Pomerance, ed., American Cinema of the 1950s: Themes and Variations, New Brunswick NJ: Rutgers University Press, 2005, 1-20. "1957: Movies and the Search for Proportion," in Murray Pomerance, ed., American Cinema of the 1950s: Themes and Variations, New Brunswick NJ: Rutgers University Press, 2005, 177-200. "Dream in Honor of Walter Benjamin," New Review of Literature 3: 1 (October 2005), 133-39. "Stark Performance," in J. David Slocum, ed., Rebel Without a Cause: Approaches to a Maverick Masterwork, Albany: State University of New York Press, 2005, 35-52 . "Why Hides the Sun in Shame?: Ambrose Chapel and The Man Who Knew Too Much (1956)," The MacGuffin online at http://www.labyrinth.net.au/~muffin/ambrose_chapel.html "Honeymoon," in Douglas Glover, ed., Best Canadian Stories 04, Ottawa: Oberon Press, 88-101. "Introduction," with Frances Gateward, in Where the Boys Are: Cinemas of Masculinity and Youth. Ed. Murray Pomerance and Frances Gateward. Detroit: Wayne State University Press, 2005, 1-18. "Alfred Hitchcock's Dramaturgy of Screen Violence," in Steven Jay Schneider, ed., New Hollywood Violence. Manchester: Manchester University Press, 2004, 34-56. "Introduction," with John Sakeris, in Murray Pomerance and John Sakeris, eds., Popping Culture, 2nd edn., ed., Boston: Pearson Education, 2004, ix-xii. Review of The Celluloid Highway: The Cinema of Wim Wenders by Alexander Graf, Quarterly Review of Film and Video 21: 4 (October-December 2004), 346-352 . "A Royal Audience: Voyages of Involvement in David Fincher's The Game," Quarterly Review of Film and Video 21: 3 (July-September 2004), 187-198. Review of Screening the Beats: Media Culture and the Beat Sensibility by David Sterritt, Quarterly Review of Film and Video 21: 3 (July-September 2004), 266-270. Review of Hitchcock: Past and Future ed. Richard Allen and Sam Ishii-Gonzáles, Quarterly Review of Film and Video 21: 3 (July-September 2004), 261-266. "Review of Geoff King, Spectacular Narratives," Quarterly Review of Film and Video 20: 4 (2003), 305-309. "The Shadow of the World Trade Center Is Climbing My Memory of Civilization," in Wheeler Winston Dixon, ed. Film and Television After 9/11. Carbondale IL: Southern Illinois University Press, 2004, 42-62. "Introduction: From Bad to Worse," in Murray Pomerance, ed., BAD: Infamy, Darkness, Evil, and Slime on Screen. Albany: State University of New York Press, 2004, 1-18. "Tom Ripley's Talent," in Murray Pomerance, ed., BAD: Infamy, Darkness, Evil, and Slime on Screen. Albany: State University of New York Press, 2004, 315-329. "Recuperation and Rear Window," Senses of Cinema, Senses of Cinema no. 29, November-December, 2003. Online at http://www.sensesofcinema.com Entries on Shane, Laura, Dead Man, and Yankee Doodle Dandy in Steven Jay Schneider, ed., 1,001 Films You Must See Before You Die!, London: Quintet, 2004. From "The Alphabet of the Imagination," White Wall Review 27 (2003), 13-17; 24-27. "Popcorn Nostalgia: Going to the Movies in the 1950s and Now," Desert Exposure, March 2003. "Neither Here nor There: eXistenZ and the Elevator Film," Quarterly Review of Film and Video 20: 1 (2003), 1-14 . "Reality TV's New Losers--Women," Newsday (January 24, 2003), A39. "Sand," White Wall Review 26 (2002), 52-67. "Review of You're Only As Good As Your Next One: 100 Great Films, 100 Good Films, and 100 for Which I Should Be Shot, by Mike Medavoy (with Josh Young)," Quarterly Review of Film and Video 19:4 (Winter 2002), 355-359. "Introduction," in Murray Pomerance, ed., Enfant Terrible!: Jerry Lewis in American Film, New York: New York University Press, 2002, 1-16. "The Errant Boy: Morty S. Tashman
and the Powers of the Tongue," in Murray Pomerance, ed., Enfant Terrible!:
Jerry Lewis in American Film, New York: New York University Press,
2002, 239-255. "'Don't understand, my own darling': The Girl Grows Up in Shadow of a Doubt," in Frances Gateward and Murray Pomerance, eds. Sugar, Spice, and Everything Nice: Cinemas of Girlhood. Detroit: Wayne State University Press, 2002, 39-53. "The Man Who Wanted to Go Back," in Jon Lewis, ed., The End of Cinema as We Know It. New York: New York University Press, 2002, 43-49. "'The future's not ours to see': Song, Singer, Labyrinth in Hitchcock's The Man Who Knew Too Much (1956)," in Pamela Robertson Wojcik and Arthur Knight, eds., Soundtrack Available. Durham: Duke University Press, 2001, 53-73. Review of Identity and Memory: The Films of Chantal Akerman, ed. Gwendolyn Audrey Foster. Film Quarterly 54:4 (Summer 2001), 55-57. "Introduction: Gender in Film at the End of the Twentieth Century," in Murray Pomerance, ed. Ladies and Gentlemen, Boys and Girls: Gender in Film at the End of the Twentieth Century. Albany: State University of New York Press, 2001, 1-15. "Marion Crane Dies Twice," in Murray Pomerance, ed. Ladies and Gentlemen, Boys and Girls: Gender in Film at the End of the Twentieth Century. Albany: State University of New York Press, 2001, 301-316. "Public Trust," Canadian Art 18:1 (Spring 2001), 92. "I forbid you to leave this room: Mind/Power in Torn Curtain," in Murray Pomerance and John Sakeris, eds. Closely Watched Brains. Boston: Pearson Education, 2001, 153-168. "Design by Hitchcock, Hitchcock by Design: A Reading of the Moroccan Dinner Sequence in The Man Who Knew Too Much (1956)," in Linda Lewis, ed., Filmbuilding: Devices and Delicacies of Film Design. Toronto: Film Design Working Group, 2002. "Two Bits for Hitch: Small Performance and Gross Structure in The Man Who Knew Too Much (1956)," in Sidney Gottlieb, ed., The Hitchcock Annual, 2000, 127-145. "Finding Release: 'Storm Clouds' and The Man Who Knew Too Much," in James Buhler, Caryl Flinn, and David Neumeyer, eds., Music and Cinema. Middletown CT: Wesleyan University Press, 2000, 207-246. "The Consumer Perversity of Roger Thornhill," Quarterly Review of Film and Video 17:1 (Spring 2000), 19-34. "Rite de passage," Prairie Fire 20:4 (Winter 2000), 19-27. "Antal's Victory," Descant 107, Vol. 30 No. 4 (Winter 1999), 166-190. "Afterword," in Murray Pomerance and John Sakeris, eds. Bang Bang, Shoot Shoot! Essays on Guns and Popular Culture. 2nd ed. Needham Heights: Pearson Education, 2000, 233-238. "Afterword," in Murray Pomerance and John Sakeris, eds. Bang Bang, Shoot Shoot! Essays on Guns and Popular Culture. Needham Heights: Pearson Education, 1999, 219-223. "Koi," Descant 106, Vol. 30 No. 3 (Fall 1999), 142-150. "The Skin of Our Teeth: The Man Who Knew Too Much Dines Out," The MacGuffin 25a (December 1998), 10-13. "To the One Who Feeds the Parakeet," Desert Exposure (February 1998). "Antal's Fingers," Parchment 6 (1997-98), 11-27. "Venetophilia," Descant 97, Vol. 28 No. 2 (Summer 1997), 77-87. "Untitled piece on David Cronenberg's Crash," Newsletter of the Film Studies Association of Canada 21: 1 (Fall 1996). "On the Mounties and the Disney Corporation," Canadian Art 12: 3 (Fall 1995), 112. "The Jews of Perth," Parchment 4 (1995-96), 42-53. "On 'Woman with Revolver' by Alex Colville," Canadian ARt 11: 4 (Winter 1994). "Un Ballo in Maschera," Descant 85, Vol. 25 No. 2 (Summer 1994), 116-123. Untitled review of photographs by Volker Seding, Canadian Art 11: 2 (Summer 1994), 67. Untitled review of a show by Kim Adams, Canadian Art 10: 4 (Winter 1993), 67. "Curiosities," Canadian Art 10: 4 (Winter 1993), 72. Untitled review of a show of tetchings by Lucian Freud, Canadian Art 10: 3 (Fall 1993), 91. "Dorothea Rockburne's Quantum Leap," Canadian Art 10: 3 (Fall 1993), 48-51. Untitled, on Giovanni Battista Piranesi, Canadian Art 10: 2 (Summer 1993), 12. "Bookman's Folly," in MP, Ludwig Bemelmans: A Bibliography. Untitled, on Eadweard Muybridge, Canadian Art 10: 1 (Spring 1993), 13. "Karsh Realities," Canadian Art 10: 1 (Spring 1993), 30-33. "The Canadian Flag," Canadian Art 9: 4 (Winter 1992) , 23-25. "Wayne's World," review, Canadian Art 9: 3 (Fall 1992), 101-102. "Considering Cronenberg," Canadian Art 9: 2 (Summer 1992), 40-45. "Decor," in William Abrahams, ed., Prize Stories 1992: The O. Henry Awards, New York: Doubleday, 1992, 117-126. Untitled preview of a show by Arnaud Maggs, Canadian Art 9: 4 (Spring 1992), 21. Untitled review of Passage by Irving Penn, Canadian Art 9: 4 (Spring 1992), 79-80. Untitled review of André Kértesz at the Jane Corkin Gallery, Toronto, Canadian Art 8: 4 (Winter 1991), 82-83. "Imbroglio," in James Laughlin, ed., New Directions in Prose and Poetry 55, New York: New Directions, 1991, 1-10. "Decor," The Paris Review 119 (Summer 1991). "Belles Excentriques," The Kenyon Review X: 4(Fall 1988), 197-207. "Sicilian Vespers," The Kenyon Review X: 4 (Fall 1988), 100-109. "Invaders from Zon," an electronic fiction mounted as part of the Public Access Project, "Some Uncertain Signs" (February 17 through July 21, 1986) and reproduced in part in Public (Winter 1988), 6-11. "Magia d'Amore," The Kenyon Review IX: 2 (Spring 1987), 58-64. "Varig, Wandor, and Berteuse," The Boston Review X: 3 (July 1985), 18-19. "Retriever," Confrontation 29 (Winter 1985), 42-45. "The Ninth Life," The Paris Review 89 (Fall 1983), 75-79. "Growing Up Sighted," Artmagazine 62 Vol. 14 No. 62 (Spring 1983), 23-25; 61. "The Queerness of Sight," PhotoCommuniqué (May/June/July/August 1980), 20-29. "At the Posing Stand," review of Michael Mitchell's Monsters of the Gilded Age: The Photographs of Charles Eisenmann, PhotoCommuniqué 2: 1 (March/April 1980), 8-10. "Brought By A Messenger From The Outside World," a review of Susan Sontag's On Photography, White Wall Review 1: 4 (Fall 1979), 18-22. "Malingering," Chelsea 33 (September 1974), 60-66.
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RECENT GUEST LECTURES
February 2012 --- Flagler College, St. Augustine FL February 2012 --- Khadir Has University, Istanbul Turkey November 2011 --- School of Communication, University of Miami, Coral Gables FL October 2011 --- California State University at Long Beach, Long Beach CA October 2011 --- Deakin University, Melbourne, Australia October 2011 --- University of Melbourne, Melbourne, Australia October 2011 --- RMIT, Melbourne, Australia September 2011 --- University of Tasmania, Hobart, Tasmania September 2011 --- Humanities Institute, State University of New York at Stony Brook, Stony Brook, NY March 2011 --- University of British Columbia, Vancouver March 2011 --- Roehampton University, Southlands College, England March 2011 --- Southampton University, England February 2011 --- Flagler College, St. Augustine FL January 2011 --- Université de Montréal May 2010 --- Khadir Has University, Istanbul March 2010 --- Yale University March 2010 --- Boston University March 2010 --- Harvard University February 2010 --- University of Manitoba, Winnipeg January 2010 --- Ryerson University, Toronto November 2009 --- Brock University, St. Catharines ON October 2009 --- University of California at Santa Barbara, Goleta CA April 2009 --- University of Hawaii at Manoa, Honolulu April 2009 --- Monash University, Melbourne Australia February 2009 --- University of St. Andrews, St. Andrews Scotland February 2009 --- University of Southampton, Southampton England February 2009 --- Royal Ontario Museum, Toronto November 2008 --- Royal Ontario Museum, Toronto November 2008 --- Harvard University, Cambridge MA November 2008 --- Boston University, Boston MA November 2008 --- Eastern Illinois University, Charleston IL April 2008 --- Royal Ontario Museum, Toronto March 2008 --- University of Oklahoma, Norman OK February 2008 --- University of Miami, Coral Gables
February 2008 --- Innis College, University of Toronto, Toronto November 2007 --- Royal Ontario Museum, Toronto August 2007 --- Jersey Shore Film Festival, Asbury Park NJ February 2007 --- Chicago Film Seminar, Chicago October 2004 --- Columbia University Seminar on Cinema and Interdisciplinary Interpretation, New York |
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CONFERENCES, CONFERENCE PAPERS, AND PANELS
"Portentous Arrangements: Bernard Herrmann and The Man Who Knew Too Much," paper delivered at "Hitchcock and Herrmann: Partners in Suspense" Conference, York St. John University, York, March 2011. Participant, "Affect as Rhetorical Strategy," Society for Cinema and Media Studies, New Orleans, March 2011. Chair, "Rethinking the Pleasures of the Text," Society for Cinema and Media Studies, New Orleans, March 2011. "Notes on the Cinema of John Frankenheimer," with R. Barton Palmer, Flagler College, St. Augustine FL, February 2011. "Hitchcock's Mountain: Technologies of Engagement in North by Northwest," Flagler College, St. Augustine FL, February 2011. "Tinker Bell, Fairy of Electricity: A Spiritualist Construct in Narrative Cinema," Université de Montréal, January 2011.Ti Chair, "Intermedial Institutions: Theatre, Print Media, Architecture," Eleventh International Domitor Conference, Toronto, June 2010. Keynote, "The World That Never Was: Looking at Old Cinematic Special Effects with New Eyes," Cinema and the New Conference, Khadir Has University, Istanbul, May 2010. Workshop participant, "Writing about Film," Society for Cinema and Media Studies, Los Angeles, March 2010. "The Gangster Giggles: Bloody Funny Situations and the Dramaturgy of Crime," Society for Cinema and Media Studies, Los Angeles, March 2010. Respondent Panelist, 4th Annual Eva Holtby Lecture (delivered by Lewis H. Lapham), Royal Ontario Museum, Toronto, October 2009. "The Villain We Love: Notes on the Dramaturgy of Screen Evil," keynote address, "B is for Bad Cinema" conference, Monash University, Melbourne Australia, April 2009. "Light, Looks, The Lodger," paper delivered at The New Paragone: The Cinema and Vanguard Art Movements: A Symposium on the Avant-Garde and the Early Reception of Film, Ryerson University, March 2009. Online at http://imagearts.ryerson.ca/newparagone/symposium.html#Pomerance "Who Was Buddy Love?: Screen Performance and Jewish Experience," keynote, Stars of David: The Jewish Experience in American Cinema, Arizona State University, Phoenix AZ, November 2008. Stars "Big Moments of Small Performance: The Character Acting of Joan Allen," keynote, Embarras Valley Film Festival, Charleston IL, November 2008. "Performed Performance and The Man Who Knew Too Much (1956)," Film Studies Association of Canada, Vancouver, June 2008. " "Hitchcock the 'Moralist': Proprieties of Appearance in The Lodger and The Man Who Knew Too Much (1956)," Society for Cinema and Media Studies, Philadelphia, March 2008. "Digesting Steven Spielberg," keynote presentation, "Spielberg at 60" Conference, University of Lincoln, Lincolnshire UK, November 2007. "Hitchcock's Urban Modernity," Modernist Studies Association, Long Beach CA, November 2007. "Le Goût du crime: Cinematic Gangster Style in New-Wave Paris," "Global Gangsters: Crime in International Cinema" Conference, University of Illinois, Champaign IL, October 2007. "Fathers and 'Fathers' in Hollywood's Araby," Society for Cinema and Media Studies, Chicago, March 2007. Participant, "The Global Image of Youth," Society for Cinema and Media Studies, Chicago, March 2007. "The Eye's Frisson: From Fiedler to Action Cinema," Modern Language Association, Philadelphia, December 2006. "Flitty Woman: Energy, Illumination, and the Dramaturgy of Tinker Bell (1904-2004)," Society for Cinema and Media Studies, Vancouver, March 2006. "A Modern Gesture," Society for Cinema and Media Studies, London, March 2005. Participant, "Rebel Without a Cause," Society for Cinema and Media Studies, London, March 2005. "Naked Interest: Dramaturgical Modernism in Catch Me If You Can," Society for Cinema and Media Studies, Atlanta, March 2004. Chair, "American Cinema of the 1950s: Then Meets Now," Society for Cinema and Media Studies, Atlanta, March 2004. "A Brief Dramaturgy of Animal Actors in Film," Animal Representation Conference, Brock University, November 2003. "Royal Tenenbaum's Look of Love," Society for Cinema and Media Studies, Minneapolis, March 2003. "Depp Positions," Society for Cinema Studies, Denver, May 2002. Chair, "From Bad to Worse: Explorations of Screen Evil," Society for Cinema Studies, Denver, May 2002. "Empire of the Son: Steven Spielberg's Man-Boy as Cinematic Tool," Society for Cinema Studies, Washington DC, May 2001. Chair, "Masculinity I," Society for Cinema Studies, Washington DC, May 2001. "Steven Spielberg's Man-Boy," Nipissing University, March 2001.Co-chair (with John Sakeris), Brainwatching: Intellect and Ideology in Media Culture, Ryerson University, May 2000. "The Errant Boy: Morty S. Tashman's Music of Masculinity," Society for Cinema Studies, Chicago, March 2000. Chair, "Jerry Lewis: Paragon of American Masculinity," Society for Cinema Studies, Chicago, March 2000. "Alfred Hitchcock Goes Pop," Applied Arts Faculty, Ryerson Polytechnic University, November 1999. "Two Bits for Hitch: Small Performance and Gross Structure in The Man Who Knew Too Much (1956)," Hitchcock: A Centennial Celebration, Tisch School of the Arts and Skirball Center for New Media and Film & Department of Cinema Studies of New York University, October 1999. "Design by Hitchcock, Hitchcock by Design," Filmbuilding 99: Devices and Delicacies of Film Design, Toronto, September 1999. Chair, "SF Film and Media" panel, 1999 Academic Conference on Canadian Science Fiction and Fantasy, Ryerson Polytechnic University, June 1999. "The Man Who Ate Too Much," Society for Cinema Studies, West Palm Beach FL, April 1999. Co-chair (with Frances Gateward), "Cinema Sets the Table," Society for Cinema Studies, West Palm Beach FL, April 1999. Co-chair (with John Sakeris), Bang Bang, Shoot Shoot! -- Film, Television, Guns, Ryerson Polytechnic University, May 1998. "Vertigo in Vertigo," Society for Cinema Studies, San Diego, April 1998. "Alfred Hitchcock's Stairway to Heaven: I Confess and the Labours of the Eye," Society for Cinema Studies, Ottawa, May 1997. Chair, "Canada's Fair Domain," Society for Cinema Studies, Ottawa, May 1997. Co-chair (with John Sakeris), Pictures of a Generation on Hold: Youth in Film and Television in the 1990s, Ryerson Polytechnic University, May 1996. "The Consumer Perversity of Roger O. Thornhill and Marnie Edgar," Society for Cinema Studies, Dallas, April 1996.
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FILMS and OTHER MEDIA A Broken Tulips. Brandon Cronenberg, dir. 2008. (actor) A Little Unkind. Divya D'Souza, dir. 2006. (actor) Billy Burkhalter: The Maltese Man, videogame by Sean Springer, forthcoming. online at http://sphincter.ca/burkhalter (voice) Perfecte. Martin Gero, dir. 2000. (actor) UseOnceAndDestroy. John L'Ecuyer, dir. 1994. (narration) Low Life. John L'Ecuyer, dir. 1993. (script consultant). Nightcrawlers. Jonathan Culp, dir. 1991. (producer). Lamentations. Bruce Elder, dir. 1985. (actor, writer, composer).
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