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Sound, Mind, Applied Research & Technology Laboratory

SMART Lab

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RESEARCH
Music Cognition

Our work in music cognition seeks to understand how people perceive, produce, and are affected by music. A diverse range of methodologies is brought to bear on these issues including behavioral, psychophysical, and psychophysiological. Recent work has focused on multidimensional and multimodal integration in perception of vocal music. For example, what are the laws that characterize the effortless binding of lyrics and music, and how do visual aspects of performance influence what people actually hear?

Representative Publications:
Sandstrom, G. M., & Russo, F. A. (2010). Music hath charms: The effects of valence and arousal on the regulation of stress. Music and Medicine, 2, 137-143.

Livingstone, S., Thompson, W.F., & Russo, F. A. (2009). Facial expressions and emotional singing: A study of perception and production with motion capture and electromyography. Music Perception, 26, 475-488.

Thompson, W.F., & Russo, F.A. (2007). Facing the music. Psychological Science, 18, 756-757.

Russo, F.A., Cuddy, L.L., Galembo, A., & Thompson, W.F. (2007). Sensitivity to tonality across the pitch range. Perception, 36, 781-790.

Russo, F.A., & Thompson, W.F. (2005). The subjective size of melodic intervals over a two-octave range. Psychonomic Bulletin & Review, 12, 1068-1075.

Russo, F.A., & Thompson, W.F. (2005). An interval-size illusion: The influence of timbre on the perceived size of melodic intervals. Perception & Psychophysics, 67, 559-568.


More Info:

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Welcome!


The SMART Lab
Psychology Research and Training Centre
Ryerson University
105 Bond Street
Toronto, Canada

416-979-5000, x. 4989