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  • The G. Raymond Chang School of Continuing Education
    Jousting Put a little drama in your life!
    offers acting, theatre and on-camera courses for everyone at every level - from timid beginners to seasoned professionals. Come get your feet wet and discover the joy of theatre in a nurturing, creative environment.
    There are additional benefits if you become a member of -- opportunites to put your developing skills on stage, good fellowship, playreading, self-directed learning groups and events at reduced prices. Membership is not required to take courses (self-directed courses excepted).

  • Acting Skill Development

    CSAC 240 — Acting Without Text
    CSAC 310 — The Art of Story Telling
    CSAC 320 — Poetry Cabaret
    CSAC 340 — Applied Zone of Silence I
    CSAC 380 — Taste of Theatre Styles II

    Clown and Comedy

    CSAC 109 — Introduction to Clown
    CSAC 209 — Clown Cabaret
    CSAC 580 — Roman Comedy Practicum
    CSAC 581 — Roman Comedy Performance
    CSAC 810 — Introduction to Ukulele
    CSAC 820 — Ukulele and Song Improvisation
    CSAC 910 — Caring Clown Basics
    CSAC 911 — Caring Clown Practicum

    Creating Theatre

    CSAC 231 — Creative Techniques I: Source Work
    CSAC 233 — Performance as Personal Memoir I
    CSAC 331 — Creative Techniques II:
    Play Creation Project

    CSAC 434 — Introduction to Standup Comedy
    CSAC 534 — Standup Comedy I
    CSAC 635 — Exploring Voices Project I
    CSAC 636 — Exploring Voices Project II
    CSAC 637 — Exploring Voices Project III

    Improvisation

    CSAC 282 — Improvisation I
    CSAC 382 — Improvisation II
    CSAC 482 — Improvisation III
    CSAC 582 — Improvisation IV

    Introductory Acting

    CSAC 101 — Introduction to Acting I
    CSAC 102 — Introduction to Acting II
    CSAC 114 — Introduction to Scene Study

    Lectures/Forums for Theatre Lovers

    CSAC 501 — Shaw Festival Preview
    CSAC 502 — Stratford Festival Preview

    Mask

    CSAC 190 — Introduction To Neutral Mask
    CSAC 192 — Mask Making Weekend

    Monologue and Scene Study

    CSAC 106 — Monologues: The Basics
    CSAC 107 — More Monologues
    CSAC 115 — Scene Exploration I
    CSAC 215 — Scenes From Canadian and Other Plays
    CSAC 313 — Readers' Theatre Techniques
    CSAC 515 — Advanced Scene Study: Comedy
    CSAC 516 — Advanced Scene Study: Beckett

    On-Camera Acting

    CSAC 169 — Acting on Camera A to Z
    CSAC 263 — Focus on Film I

    Period Study

    CSAC 586 — Victorian and Edwardian Scenes

    Playwriting and Directing
    CSAC 127 — Directing: An Introduction
    CSAC 129 — Directing Practicum I
    CSAC 156 — Playwriting I
    CSAC 329 — Directing Seminar I:
    Directing as a Shared Vision

    CSAC 352 — Playwriting Lab I: Creating Conflict
    CSAC 353 — Playwriting Lab II: Text/Subtext
    CSAC 354 — Playwriting Lab III: Spontaneous Writing
    CSAC 355 — Playwriting Lab IV: Building Suspense
    CSAC 456 — Adapting Stories for the Stage

    Shakespeare Study

    CSAC 105 — Shakespeare: Yes You Can!
    CSAC 405 — Shakespeare Mini-Intensive

    Voice and Movement
    For all Voice and Movement courses, please wear comfortable, non-binding clothing you can move in and shoes that you can slip on and off, if possible. Bring a mat or large towel, a notebook, and water. Also, have a short (1 minute max) memorized piece of text to work with.

    CSAC 111 — Voice Work Basics
    CSAC 220 — Voice and Speech Works I
    CSAC 322 — Movement Lab I:
    Grounding and Taking Space

    CSAC 323 — Movement Lab II:
    Fluidity and Expressiveness

    CSAC 424 — Transformative Movement Intensive
    CSAC 425 — Transformative Movement II
    TRANSFORMATIVE MOVEMENT: These workshops will transform you by changing the way you think about your body, by uniting body and mind in movement and by opening you to the kind of presence that actors need to commit to an intention, take space, find ease, and feel energized.

    THE FACULTY

    Katherine Ashby is a Gemini nominated actor. Katherine has been acting in theatre, radio, television, and film since graduating from Ryerson Theatre School in 1985. Credits include Liberty Street, A Guy and a Girl (lead), This is Wonderland, PSI Factor, Road to Avonlea, Wild Card, and other made-for-TV movies. Katherine has an ongoing role in Degrassi: The Next Generation. Theatre credits include Theatre Passe Muraille, Factory Theatre, Buddies in Bad Times, the Blyth Festival, and the Toronto Fringe Festival. Having taught and designed improvisation programs at Second City and at the Workman Theatre Program, she has just launched The Kate Ashby Academy.

    Richard Beaune has been acting and directing for 25 years. He spent two seasons as assistant director and actor at the Stratford Festival, was an intern director at the Shaw Festival, and participated in the Lincoln Centre Theatre Director’s Lab in 2000. Directing credits include Macbeth and As You Like It for Shakespeare in the Square, A Midsummer Night’s Dream and Edward Ironside for Firebrand Theatre, Trapped in Taffeta (Canadian Comedy Award) with Simple Truth Theatre, Flowers for Algernon (Jenny Award), and Keystone Theatre’s The Belle of Winnipeg (three Dora nominations). Richard has also appeared in several TV commercials and on film.

    Lynda Del Grande has enjoyed a diverse professional background as a teacher, life coach, certified Laughter Yoga leader, and therapeutic clown for residents in long term care homes. She holds a Master of Education in Adult Education (OISE), a certificate in life coaching, and has studied clown with several master teachers including Mike Kennard and John Turner (Mump and Smoot), Helen Donnelly, and Adam Lazarus. Lynda is the architect and principal instructor of Programs for 50+’s Caring Clown Program which prepares students to be volunteer clowns in long term care facilities.

    Vrenia Ivonoffski is the artistic director of ACT II STUDIO. She holds a Master of Arts from the University of Toronto and trained in physical theatre at the École Jacques Lecoq (Paris) and directing at Ryerson Theatre School. She is on the Acting faculty at George Brown Theatre School and previously taught at Ryerson Theatre School. Vrenia has 30 plus directing credits, has written 12 plays, and is a member of Theatre Ontario’s Talent Bank. She is a past president of the Toronto Association of Acting Studios (TAAS).

    Kennedy C. MacKinnon (MFA) is an actor, director, and coach. Kennedy is artistic director of Shakespeare Link Canada and was on the full-time faculty of head of voice at Humber College Theatre School. She has just completed her fourth season as voice coach at the Stratford Festival. Teaching experience includes Equity Showcase, the National Voice Intensive, York University, and George Brown Theatre School.

    Hannah Moscovitch (MFA) is playwright in residence at the Tarragon; winner of many awards including several Doras, nominee for the Governor General's Award, Carol Bolt Award and the international Susan Smith Blackburn Prize; and a graduate of the national Theatre School. Her plays which include Essay, The Russian Play, East of Berlin, The Children's Republic and the Huron Bride have been produced in major thatres across Canada.

    Graham Orwin has directed dramas, docudramas, and specials for CBC, CTV, PBS, TVO, and the National Film Board. He has directed over 1,000 corporate TV dramas and commercials in Canada and the US, winning 43 international awards for his work. Graham has lectured for the Canadian Association of Advertising Agencies, Ryerson’s Radio and Television Arts (RTA) program, and at Sheridan College’s Media Arts and Musical Theatre School. He is a member of the Director’s Guild of Canada and is a graduate of Ryerson’s RTA program.

    Jodi Pape (ACTRA, EQUITY) has been a professional actor since 1964, performing as a singer, actor, musical entertainer and voice-over artist. She is also an instructor, facilitator, writer and corporate coach. As a ukulele player, she has performed in seniors’ residences and in primary schools helping people improvise their own songs. She draws on a broad range of songs from all over the world.

    Les Porter is a director, choreographer, and actor. Credits include Newsroom, Cliff Hanger (NBC), The City, Three to Tango, Wild Card, and Touch of Pink. He is a graduate of Ryerson Theatre School.

    Alexandra Rambusch was a founding member, with Tony Kushner and others, of Heat & Light Co. in New York City where she co-created and acted in several plays; director at Story Theatre in Cincinatti; actor with Mohonk Mountain Stage Company (NY); and general manager of the National Dance Institute (NY). Since moving to Canada she has assistant directed at Nightwood Theatre. She is a graduate of the Tisch School of the Arts ONYU).

    Liz Rappeport is a movement specialist who draws from her diverse background as a writer, artist, certified yoga teacher and bioenergetics therapist, registered massage therapist, meditation instructor, and long term student of eastern and western forms of movement. She has lectured on movement approaches at Ryerson University and at the Association of Theatre in Higher Education Conference in Toronto. She is a private movement coach and teaches Breath, Body & Mind in Connection classes in Richmond Hill. She has taught body awareness to musicians at Wilfrid Laurier University, to actors at the Sunderland Arts Studio and to nurses at La Loba Project at York University.

    Tracey Erin Smith trained at Studio 58, Vancouver, and Creativity Workshop, New York. Her teaching experience includes Second City, York University, and the University of Toronto. Her acting credits include Two Hander, Millennium (US television series), and a solo show she created, The Burning Bush, which received Best of the Fringe 2006 status.

    Julie Tepperman performed for two seasons at the Stratford Festival and at the festivals RED, Lab Cab, Hysteria, Fringe/Next Stage, SummerWorks, and the Ashkenaz Festival. She works as “artist-inthe-schools” for Tarragon, Factory, Luminato, and Diaspora Dialogues, and is on the faculty of George Brown Theatre School. As co-artistic director of Convergence Theatre, Julie co-created/wrote the hit plays AutoShow, The Gladstone Variations (Dora nomination) and Yichud (Seclusion). In January 2011, her adaptation of Strindberg’s The Father will premiere at the Winnipeg Jewish Theatre at the Manitoba Theatre Centre’s Master Playwright Festival.

    Jeffrey Wetsch has played various roles during his seven seasons at the Stratford Festival. He has also performed in the York Shakespeare Festival, The Grand Theatre, New West Theatre, and in Mirvish Production’s Orpheus Descending. Roles have included Mercutio, Cassio (Othello), Lysander, and Claudio (in both Measure for Measure and Much Ado About Nothing). He is a graduate of the National Theatre School of Canada and Stratford’s Birmingham Conservatory.

    Dawn Whitwell has taught standup comedy at many of Toronto’s comedy hot spots – like Second City, the Comedy Bar, and Bad Dog Theatre – since 2002. In 2007 Dawn began co-producing Girls School, voted Top Ten Comedy Show of 2006 by NOW Magazine. As a standup performer, she was rated “one of America’s Funniest Lesbians” by Curve Magazine. Dawn has performed at the LA Comedy Festival, across the UK including the Edinburgh Festival, New York’s Gotham and Comic Strip Live, and on The Jon Dore Television Show. Her live show Dirty Rotten Egg in 2008 played to sold-out audiences at We’re Funny That Way Festival.

    Aaron Willis, originally from Edmonton, has acted in theatres across Canada including Tarragon, Factory, Passe Muraille, Harbourfront Centre, Roseneath Theatre (Dora nomination), Shakespeare in the Rough, The Great Canadian Theatre Company, and The Norman Rothstein Theatre. As co-artistic director of Convergence Theatre, he co-created and directed the hit plays AutoShow, The Gladstone Variations (Dora nomination) and Yichud (Seclusion). Aaron was the assistant director of Evita at the Stratford Festival (2010). He holds a Bachelor of Arts (with Honours) in Drama from the University of Alberta and graduated from George Brown Theatre School.







    Ryerson Continuing Education has defined:
    Fall as July 1 to November 1
    Winter as November 2 to February 1
    Spring/Summer is February 2 to July 1.


    The Address
    ACT II Studio,
    Ryerson University,
    350 Victoria Street,
    Toronto. M5B 2K3


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