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Louis Laberge-Côté

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Louis Laberge-Côté

(he/him)

Assistant Professor, Dance

Education

  • MFA Creative Practice

Email: louislabergecote@ryerson.ca

Extension: 6788

Office: SLC G033

Louis Laberge-Côté is an Assistant Professor of Dance at Ryerson University, School of Performance, since July 2018. He teaches modern and contemporary dance, improvisation, composition, and creative performance studies. He is the producer of Choreographic Works.

Laberge-Côté is an active Toronto-based dancer, choreographer, teacher, and rehearsal director. An acclaimed performer, he has danced nationally and internationally with over thirty companies and has been a full-time member of Toronto Dance Theatre (1999-2007) and the Kevin O’Day Ballett Nationaltheater Mannheim (2009-2011).

He has created over eighty choreographic works, which have been presented and commissioned in Canada and abroad. His work has garnered him a Dora Mavor Moore Award for Outstanding Choreography and ten other individual and ensemble nominations for Performance or Choreography. He has been nominated for the KM Hunter Award in 2014, 2015, and 2016 and has received several grants from all three levels of government, the Chalmers Foundation, the Metcalf Foundation, the Laidlaw Foundation, and the Dancer Transition Resource Centre.

He has joined the Board of the Canadian Alliance of Dance Artists - Ontario Chapter from 2004-2007, of which he became Chair in 2005. He has also sat as Chair of the Independent Artists Council at the Canadian Dance Assembly from 2011-2017, where he has served as Vice-President for four years. He has also been the Chair of the Dance Committee at the Toronto Arts Council from 2013-2018. He currently sits on the Board of Healthy Dancer Canada.

A sought-after pedagogue, he has taught classes and workshops across Canada and regularly teaches at GMD and the Canadian Contemporary Dance Theatre.

He holds an MFA in Creative Practice from the University of Plymouth (UK). His research is centred on contemporary dance and somatic training. His writings have been published by the Journal of Dance and Somatic Practices, Choreographic Practices, The Dance Current, the International Dance Council Online Library, and the Calgary Beacon and shared by schools, universities and blogs in Canada and abroad.

  • Dance education
  • Dance training
  • Performance practices 
  • Choreography 
  • Approaches to artistic creation 
  • Teaching and learning systems 
  • Movement improvisation 
  • Body-mind awareness 
  • Dance therapy
  • Flow experience 
  • Mental imagery 
  • Somatic practices

The art of degeneration

Year: 2016-2018

Role: Principal Investigator / Choreographer / Performer 

Funded by: Canada Council for the Arts, Ontario Arts Council, Toronto Arts Council 

 

The Porous Body: Cultivating Malleability in Traditional Dance Training

Year: 2018-2020

Role: Principal Investigator

Funded by: FCAD SRC Seed Grant and Travel Grant

 

World After Dark

Year: 2018-2021

Role: Collaborator / Performer (for Shannon Litzenberger Contemporary Dance / Shannon Litzenberger, Artistic Director)

Funded by: Canada Council for the Arts, Ontario Arts Council, Toronto Arts Council, Harbourfront Centre

 

Uncanny Robots:

Examining human-robot interactions through dance and performance

Year: 2019-2020

Role: Co-Investigator (PI: Michael Bergmann, School of Performance)

Funded by: FCAD SRC Special Seed Grant

 

Narrating Psychological Trauma through Somatic Sourcing in Contemporary Choreography

Year: 2019-2021

Role: Collaborator (PI: Marie-France Forcier, University of Calgary)

Funded by: Insight Development Grant, Social Sciences and Humanities Research Council of Canada 

 

Svaha

Year: 2019-2021

Role: Collaborator / Outside Eye (for Nova Dance / Nova Bhattacharya, Artistic Director)

Funded by: National Arts Centre, Canada Council for the Arts, Ontario Arts Council

 

The delicate art of art-making

Year: 2019-2021

Role: Collaborator / Choreographer (commissioned by ZEST Creation)

 

The Plunge

Year: 2019

Role: Collaborator / Co-choreographer / Sound designer (commissioned by Kaeja d’Dance and Lakeshore Arts for Porch View Dances - New Toronto)

 

Good morning, good night

Year: 2020

Role: Collaborator / Co-choreographer / Performer / Director / Editor / Sound designer (commissioned by Kaeja d’Dance for Porch View Dances Online 2020)

 

Life is Paradox

Year: 2020-2021 

Role: Collaborator / Outside Eye (for choreographer Takako Segawa / Kemi Contemporary Dance Projects, Jennifer Dallas, Artistic Director)

 

Untitled (solo project)

Year: 2020-2021

Role: Collaborator / Choreographer (for dancer Nova Bhattacharya / Nova Dance, Nova Bhattacharya, Artistic Director)

Laberge-Côté, Louis. “edged: Exploring the Porous Boundaries between Teaching Philosophy, Dance Performance and Choreographic Practice.” Choreographic Practices, vol. 11, no. 1, 2020, pp. 43–57., doi:10.1386/chor_00011_1.

Laberge-Côté, Louis. “The Porous Body: Cultivating Malleability in Traditional Dance Training.” Journal of Dance & Somatic Practices, vol. 10, no. 1, 2018, pp. 65–77., doi:10.1386/jdsp.10.1.65_1.

Laberge-Cote, Louis. “The Porous Body: Cultivating Malleability in Dance Training.” The Dance Current, Jan. 2020, pp. 20–21.

Laberge-Cote, Louis. “The Porous Body: Cultivating Malleability in Traditional Dance Training.” Conseil International De La Danse, May 2020, PDF filewritings.raftis.org/wp-content/uploads/2020/05/Louis-Laberge-Cote-article-_-The-Porous-Body.pdf, external link.

Marchevska, E., Quillinan, S., Angelovski, G., Durrani, A., Buller, R. E., Hoffecker, I., Laberge-Côté, L., Olson, J., Owens, D., Piper, J., Sammarone, M., Sullivan, J. (2018). Co-a-lism: day of art exhibitions and conversations. Berlin: Flutgraben e.V. Art Centre.

Laberge-Côté, Louis. “The Porous Body: Cultivating Malleability in traditional dance training”, Fifteenth International Conference on The Arts in Society, 24 June 2020. Online Conference Presentation.

Laberge-Côté, Louis. “The Porous Body: Cultivating Malleability in traditional dance training”, Fourteenth International Conference on The Arts in Society, 19 June 2019, Lisbon, Portugal. Conference Presentation.